Paraboot has a distinct advantage over many other companies because of its vertical production. While other shoemakers source their soles from companies like Vibram, Dainite and Cortina, Paraboot produces its own rubber soles as it’s been doing since the early 20th century. Having in-house production of its own materials means Paraboot has greater control over the quality of the product, ultimately resulting in a better shoe.
I’ve always thought that Paraboot shoes were great, but I couldn’t wrap my finger around exactly why. The company having full control over production explains that and, in my eyes, raises the stock of the brand quite a bit. The rest of the article is similarly, wonderfully detailed, and is unlike what you’d expect from Gear Patrol’s style vertical.
The strong job market should be helping graduates to pay what they owe — and at the top end of the wage scale, it is. But in recent years, while high-school graduates have seen a sharp pickup in earnings, the lower-earning half of college graduates haven’t — and the gap between them is now the smallest in 15 years.
More than four in 10 recent graduates are working in jobs that don’t usually require a college degree, the New York Fed says. And roughly one in eight is working in a field where typical pay is around $25,000 a year or less.
I’ve noticed that my American peers feel a sense of anxiety that the job they have to get to repay loans will be ‘beneath’ degree they’ve worked so hard to obtain. The guarantee of a quality STEM job has not been true for a while now, yet hundreds of thousands of new college students enroll in tertiary education with that expectation.
New York’s Eric Levitz makes a connection between this fact and the relatively high support for Bernie among the youth, and I have to agree. I’ve been seeing support for Bernie from the most unlikeliest of places — super turbo, high-achieving students who seem, at first glance, like bootstrappy-type guys. It absolutely feels as though our generation will be financially worse off than our parents’ — the first generation in modernity to be that way — and not for lack of trying.
Style, to me, is confident personal expression, unhindered by trend, but aware of its existence at the same time.
There’s been a lot of discussion online about ‘Style’ vs ‘Fashion’ recently, and I think this quote captures it well, at least for me. Specifically, I really like that last bit about being aware of trend/’fashion’. While high fashion and luxury brands do sometimes make good clothes, they can be out of reach for most people, making a singular appreciation for expensive clothes, in a word, classist. However, a small budget doesn’t preclude knowing what’s current, and a comprehensive lay of the land has helped me refine/refresh/redefine my taste even if I’m never ‘on trend’.
Sidenote: I don’t think anyone — people who obviously chase the latest trends included — would self-identify as being fashionable over having personal style.
I’m running out of content to write about. I can only spend so much money on clothes to review (sponsor me), so I’ll go for this low-hanging fruit and say that the Lamy 2000 is the best sub-$200 workhorse pen out there.
As a college student who remains true to the analog in my note-taking, I use my writing utensils heavily. As such, on top of being fun to use and aesthetically ‘a vibe’, they need to be hardy and efficient. My pair of Lamy 2000s, kept inked in blue and red for contrast note-taking, does exactly that. The platinum-tipped gold nib has the right amount of flex for soft yet speedy writing. The light, rounded and tapered-to-the-nib Makrolon body is also comfortable to hold and write with over extended periods.
Most importantly, reinking the 2000 is a joy. The pen provides easy access to both ink levels via the ink window and ink filler via the seamlessly integrated piston filler, making the typically fussy fountain pen much more utilitarian. You also get reintroduced to that ingenius, uniquely Bauhausian use of materials every inking sesh — a weekly reminder that you’re kinda dumb tbh and that German designers had it all figured out back in the 60s so you should just give up now.
As good the pen is, it has its issues. The nib really only performs well when angled perfectly on the paper (pen geeks refer to this as the 2000’s notorious ‘sweet spot’), which can be annoying for new users. Also, the very same matte Makrolon that gives the pen its design cred does wear glossy over time, and not necessarily in a wabi-sabi, #patina kind of way.
That said, Lamy’s best in-class aftermarket support (shoutout Bob Nurin of the Lamy Service Center) makes any purchase from the brand worth the money. Over the years, I’ve sent multiple pens in for service nearly and they’ve all come back in tip top condition, nearly free of charge. You’re encouraged to actually use these pens instead of babying them — dispelling the myth that fountain pens are precious, fragile luxuries.
I’d recommend getting the pen from a trusted shop that will sort you out in the case of a manufacturing issue, such as The Goulet Pen Co.. Also for an extra $100, you can even get it in blue.
While perusing the wares at Dover Street Market New York (aka Temple of All Clothes Cool) trying to recapture my fleeting youth, I stumbled upon Labour and Wait’s little enclave to the right of the main entrance. Less traditional clothing brand, more curator of old-school, well-made gear, the UK-based brand has assembled a collection of the most function-over-form versions of home goods, kitchen tools, outdoor accessories and British clothing.
Labour and Wait is not the type of brand you typically see in DSM. DSM is known for stocking the most avant-garde (weird) shit. Pants with 6 sleeves, hats for your ankles, shoes with no soles, that kind of thing. DSM is so cool that that they even opted NOT to sell Yeezys, essentially rejecting free money (artists… amirite? *rolls eyes*)
I’m too tasteless to know what of their non-clothing offerings are actually good, but I find their metal lunchbox extremely well-designed, with gaskets in all the right places and a fitted divider. It’s reminiscent of the mess tin I used to throw into fires back in my Scouting days. With this, you can pair your lunches with your Buzz Ricksons and take your military-but-make-it-fashion cosplay to the next level.
Labour and Wait does not sell anything particularly unique, but that’s the point. The products represent, in their minds, the best versions of everyday items, perfected over time by old-world companies. It’s the same button-shoulder Armor Lux sweaters and Blundstones that you can get anywhere, but seeing it in context with everything else makes the whole more than the sum of its parts. It is curation a la Tumblr moodboards, and is immensely valuable now that social media is drip feeding us new brands through our every bodily orifice.
I also like that they say where everything is sourced from, but I would like to see them actually highlight the companies that made the stuff. I can’t see why they don’t — potential customers might seek the source out directly — but it’s disingenuous to infer the products as either made or designed by them. I, for one, definitely thought that the case before digging deeper into the brand.
While I have not pulled the trigger on anything yet, I can see myself owning one of everything. In particularly, I’m angling towards the fisherman turtlenecks, guernseys (made by Le Tricoteur), and utility totes (made by Matsunoya).
Everything is available on their website, though the stuff they have just looks way better in a brick and mortar setting as everything is in view in context. Labour and Wait is based in the UK, but it ships internationally.
Uniqlo USA has announced their U Spring/Summer 2020 collection in collaboration with Christophe Lemaire a.k.a. the slouch God, and it’s pretty great. Uniqlo U is known for well-designed, fashion-forward cuts that look more expensive than they are, and it has definitely delivered on that this collection.
As always, there are lots of repeats from previous seasons that makes getting in on them now a little less cool. The fabrics used also disappoint year after year and are almost never as good as the designs they are paired with. However, Uniqlo U is essentially Lemaire’s diffusion line, and the extremely high design-quality-to-price ratio means that you’re getting the best bang for your buck in all of menswear.
Here are my 4 standouts from this season’s drop.
Denim Work Jacket in Light Washed, Medium Washed and Raw
This work jacket is one of the few new designs for the season, but it’s the best piece of the entire collection. It is beautifully cut with the correct collar choice for 2020 and a great selection of pockets to boot. This is THE chore coat that all the Engineered Garmentses and Orslows of the world will be compared to this Spring, and it’s made by Uniqlo for crying out loud. All three colors are great, but I’m leaning medium-wash to add to my already robust collection of blue outerwear.
Striped Regular Collar Long-Sleeved Shirt in Beige
That slightly A-line silhouette in combination with the low pocket placement makes for a #fashun version of what your dad would wear to work, in the best way possible. I have my fingers crossed that this comes in anything but broadcloth.
Cuban Short-Sleeve Shirt in White
Camp collars had their moment in 2019, but they are about to explode this Spring. While everyone zigs with loud prints on simple silhouettes, you can now zag with solids white on this beauty of a Cuban shirt. It is on trend, but different enough from the pack that you’ll stay ahead of the curve.
Denim Relaxed Shorts in Tan
Wide waistband? Double forward pleats? Side adjusters? Check, check, and motherf’in check. These shorts have all the rich guy features you want, without the need for rich guy bread, though rich guy confidence would absolutely help you pull these off. One of my favorite pieces this season, and one I hope they bring back in long form this Fall.
In last few years, one’s stable of podcast subscription has succeeded one’s list of frequented websites as a true signifier of content taste level. I’m personally proud of my personal Avengers of podcasts that I’ve assembled. And no, I’m not f’in telling you what they are. Go develop your own taste.
The crown jewel, the Iron Man, if you will, of my subscription Avengers is a podcast that I am not proud of. I’ve never admitted this, and I’m extremely embarrassed to say this, but the now-defunct Failing Upwards was my favorite menswear podcast bar none.
Hosted by two menswear fixtures in Lawrence Schlossman and James Harris, the podcast takes an interesting and distinct approach to covering fashion and its adjacent subcultures. Beneath the veil of obnoxious loudness and mildly problematic humor is an emphasis of personal style over trend-hopping. Also, because of the show’s notoriety, it essentially self-selects its guests, so even the high-profile, distinguished folks who do go on are all ready to play ball.
I’m not the only one who raves about the podcast. Its huge following is cult-like, with its acolytes speaking in the same weird code (“on deckington”, “GDMF” and “Zoovie” come to mind) as the hosts. It’s not just speech that has trickled down. Some followers have adopted the camp collar + really short shorts + loafers combo or fleeces + Blundstones that the podcast hosts espouse.
After a complicated breakup with Barstool Sports, the podcast is now back under a new name — Throwing Fits. In the meantime, I’ve been replaying my favorite episodes (standouts from this year being Alex Delany, Antonio Ciongoli, Corey Stokes, Naomi Fry and Mister Mort), getting more insights out of them each time. I’m stoked that it’s back, and I can’t wait for the rumored Ezra Koenig episode.
Their series premiere is available on your podcast app of choice.
Honestly, from a technical perspective, these boxer briefs are some of the worst you can buy. They’re identical to Hanes boxers with the exception of Supreme branding at the waist band, and they cost 17 dollars more per 4-pack. They don’t last very much past a dozen spin cycles and they don’t work well on anyone who has done a single barbell squat in their life.
But, as someone who struggles to wear any Supreme (I can only authentically wear their fine art and menswear-y stuff), but loves what the brand has come to be, these work. I’m not cool, and I don’t dress cool, but having that good Barbara Kruger-flipped italic bold Futura peek out from below my too-short tees when I’m seated lets me feel like I can at least tribe-signal to people who are actually cool.
Buy these overpriced undies at Supreme, and I’d definitely recommend getting them in black. Not that I would ever, but I don’t want to see your shit stains.
I’ve written and rewritten so many versions of this review, all of them starting with this Kiya (of Self Edge fame) interview about how Rick Owens bought an Iron Heart Flannel. It was a cool reference to bring up years ago when that article was only known by the real heads, but now I just sound like a plebby bandwagoner. Another gem in that article, though, is this quote about Iron Heart:
I love that brand. It has this certain will to it, like “we will try to find the heaviest things that cannot be put together or stitched together, and you know what? Fuck it, we’re going to do it.”
That really sums the Ultra-Heavy flannel up. It’s so unreasonably thick that none of your sweaters or cardigans will work as a layer over it, that it’s impossible to button up the morning after a night of binge drinking, that all your other shirts become incels after witnessing its chadness. Those may sound to your like drawbacks, but that’s because unlike the Ultra-Heavy flannel, you’re not a chad.
Okay enough stupid incel talk. Not often mentioned with this shirt are the completely unnecessary but nerdily cool details such as the dangly orange chainstitch runoffs and screenprinted wash instructions on the interior. With every new release also comes more interesting patterns than on the one I got a few years back.
The decent-but-uninteresting buttons on the non-Western version leaves something to be desired, the collars look weird when the top is unbuttoned, and at over $300 per, the heaviest flannel shirt in existence comes with an equally heavy price tag. But, it is the ultimate expression and the only true endgame version of the flannel shirt. The process of handpicking wild Andes-mountain cotton followed by shipping to Japan for dying, weaving and stitching is over-the-top in a way that only Iron Heart is capable of.
Go true to size if you want that oh-so-soft double brushed cotton rubbing against your nipples, or go up a size if you’re worried that its constant arousal would distract you from work and want to fit a layer in-between. Support the good people over at Iron Heart America, Canoe Club, or my favorite store, Self Edge.